

In 2020, the anime series won one the four monthly Galaxy Awards for March, becoming one of the candidates the association's yearly Galaxy Awards.

Midori Asakusa sees the world a bit differently. Stone on a list of the top manga of 2018 for male readers put together by Kono Manga ga Sugoi!. Looking for information on the anime Eizouken ni wa Te wo Dasu na (Keep Your Hands Off Eizouken) Find out more with MyAnimeList, the worlds most active online anime and manga community and database. The manga series was nominated for the 11th Manga Taisho awards in 2018, and it won the top Bros.

Together with Midori's money-loving best friend Sayaka Kanamori, the energetic trio start the "Eizouken" club and slowly work towards making their "greatest world" a reality!Īfter the debut of the anime adaptation in January 2020, the manga had over 500,000 copies in circulation. By pure chance, she meets Tsubame Mizusaki, an up-and-coming socialite secretly dreaming of becoming an animator.
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IFFR is proud to celebrate a creative mind that, like few others, knows how to fuse the popular with the avant-garde.First year high schooler Midori Asakusa wants to create an anime, but she's too disheartened to make that first step by herself. Asakusa Midori wants to create an anime, but shes too disheartened to make that first step by herself. In series like The Tatami Galaxy (2010) or Keep Your Hands Off Eizouken! (2020), as well as films like Lu Over the Wall (2017) or Ride Your Wave (2019), Yuasa's filmmaking combines the surreal with the cute, the socially conscious with flights of fancy, the visually staggeringly experimental with the narratively classical. Looking for information on the manga Eizouken ni wa Te wo Dasuna (Keep Your Hands Off Eizouken) Find out more with MyAnimeList, the worlds most active online anime and manga community and database. Recurring topics of transformation, self-expression, and love are exemplary of Yuasa's oeuvre – complemented with an animation style that characteristically favours movement and emotions that feel both authentic and real. Now, apropos his latest work, INU-OH, IFFR is proud to present the internationally first extensive retrospective of a modern master who, since his first efforts in the 90s as a storyboard artist and episode director, developed into one of world cinema's most inventive and constantly surprising animation auteurs. After a harrowing meeting with the art club, a torrential. When, at IFFR 2018, Yuasa Masaaki's Night Is Short, Walk On Girl screened, audiences and critics alike went wild with delight and wonder. Released on 1.7K 5 Doumeki moves into the Eizouken's clubhouse, securing a sound director for the girl's new robot anime.

Keep Your Hands Off Eizouken! celebrates the incomparable joy of sleepless nights spent on creative collaboration.įilm stills: ©Sumito Oowara, Shogakukan / Eizouken Committee As their scrappy team grows from strength to strength, reality and fantasy seamlessly blend, expanding their quaint coastal town into complex, colourful worlds. The focus is instead on their synergy and infectious passion. Produced by Science SARU, the series swaps Yuasa's typical young male protagonist for a trio of high-school girls, but it doesn't emphasise their gender. With three oddball protagonists who represent various facets of the profession, the series showcases not just the intense creativity and technical knowhow that go into making a successful animation, but also the practical negotiations with all stakeholders that determine its final shape. Keep Your Hands Off Eizouken!, Yuasa Masaaki's adaptation of Sumito Oowara's manga series, is an exuberant, splendidly mounted meta-anime that immerses us in the feverish world of anime production. Then, when it becomes clear that their classmate, charismatic fashion model Tsubame Mizusaki, really wants to be an animator, they create an animation club to realize the "ultimate world" that exists in their minds. The producer-type Sayaka Kanamori is the first to notice Asakusa's genius. Keep Your Hands Off Eizouken is a show clearly made by people who know the hardships that come with choosing the animators life, but also how rewarding it is to see. Though she draws a variety of ideas in her sketchbook, she hasn't taken the first step to creating anime, insisting that she can't do it alone. First year high schooler Midori Asakusa loves anime so much, she insists that "concept is everything" in animation.
